Today we talked dialogue.
I am a reluctant writer at best, let alone when writing
dialogue. Within prose, I tend to find any dialogue dry and stunted, so avoid
it at all costs. So play-writing is a nightmare.
As we had some new additions today (including some boys, horrah for gender equality!), Kate started us off by
introducing ourselves again. Then she got us to look at some of Craig Taylor’s
One Million Tiny Plays About Britain. These are observational stories, little
snippets of the everyday, in which it feels like you are eavesdropping as you read. Not
much happens, but you are thrown in the middle of a story, given a sample of a
life, and left to draw your own conclusions.
Kate is looking for us to produce One Million Plays About
East Oxford. Now of course, as soon as this was proposed, everyone said they
didn’t know what to write about, there is nothing special about East Oxford,
it’s boring around here... But with some prompting, people started to realise
that they have funny relatives, oddball friends, unique places. We have
different languages and accents, numerous backgrounds and cultures, and a
million little stories to tell.
Having only lived in East Oxford for a year, I could only
write about what I know, and what I know is Cowley Road. The idea that sprang
to mind was to do with the times I take friends out along the Cowley Road for
dinner – there are so many restaurants from which to choose! And there is one
friend in particular (whom I adore) who always insists on paying and we always
have the same conversation.
A first draft is never perfect, and I have some work to do
in order to tighten up this piece and build up the comic tension. I also want
to make it slightly more universal, as I felt like Craig Taylor’s characters
were the sort where everyone knows someone like that.
The group felt a lot more focused today. We had a few who
needed help, but most are loving the creative writing side of it and seem a
little worried about the academic element of the AS they can opt to sit. My
advice has been to focus on the bit writing for pleasure, and they can make
their decision about the AS later in the year. First Story is so much fun, and
such a brilliant experience – I find that understanding the writing process
completely alters my love of reading, because I have a better knowledge of how
the writer developed their novel, play or collection of poems. For the
students, having creative writing skills will also help with their academic
writing, giving them a new approach to structure and form. And it builds their
confidence – last year, I saw delicate flowers transform into budding
butterflies of literature.